influenced by distorted electro sounds, to orchestral,jazz and blues pieces such as shostakovich and tom waits,he presents his first record,3 twisted and rocking tracks on archibell records.the first track right in the spotlight is >tokamak< a track with a dark kick and grind, featuring layered synths and vocal samples that break and drop with attitude.no time for intros this track hits hard and fast and leaves unexpectedly. next up is >g.i.g.a.s<, defined by its epic breaks, driving melody and sudden mood swing.perhaps the less sinister track out of the three, probably to give you a break for whats coming up next. unlike tokamak, nyxstarts with a slow baleful, classically influenced intro filled with suspense. eventually dropping into a deep atmospheric hard hitting groove. evil rhythm crafted with precise microsampling.

what a strident effort at night in cologne-hattan. chris baumanns profession is that of a sound-fiddling flame thrower. his tracks in this case as a limited, grey-marbled vinyl are pleasant deep house/house blueprints made for memorable late night club sessions with escapist floor excesses in the open rhythm scope of house, tech house and dub techno.

beg to differ is a dance music duo comprised of house hero nick chacona and wurst label boss roy dank. the two longtime friends started tinkering around in the studio last year, remixing the likes of detachments for thisisnotanxit as well as nicks solo outing with kathy diamond for moodmusic, and quickly finding favor with fellow new yorkers james murphy and holy ghost!. influenced by talking heads, my bloody valentine, and paulsimpson, beg to differs work is characterized by big hooks, live instrumentation, and lush production. the duos wurst debut features two massive - and decidedly different - reworks. parisian afrobeat masters bibi tanga & the selenites get the full beg to differ overhaul on >be africa<, complete with infectious arpeggios, killer keys, and an entirely new rhythm section, with nick himself on bass duties. the pop rock of the hours >ali in the jungle< is transformed into an epic, string-laden anthem taking in disco, rock, and even trance by the end of the mix. heavy to say the very least.

toris moon picks up a rhythm feel the new school of minimal techno has developed over the years and fuses it with michaels interpretation of techno. &#8232,,pascal feos has remixed >toris moon< and has incorporated a stronger house feel he has also highlighted in his recent released album.&#8232,,&#8232,, the b-side sees the release of an peak time hymn, bold beats, restrained chords that keep making their way to the surface step by step putting a chill on ones skin.

australian producer philip mcgarva aka microworld is well known for his releases on transmat and styrax, both of which instantly became sought-after techno classics. dutch label adepth audio is proud to present microworlds new >time before techno< ep, with the title track another classic in the making.
microworlds signature is clearly evident throughout - the slow smooth build-up, with every new sound revealing extra dimensions within the music. definitely an after hours track that will go straight to your soul. the second track >ism< is a minimal but effective rhythm, a driving bassline, a catchy synthesizer and vocal sample that will stick in your head. canadian producer arthur oskan chose to remix >ism< and rebuild it into a pulsating 9 minute club track overflowing with warm synthesizers.

space junky is the track that first brought bosco delrey to public attention, landing him pieces on the fader, rcrdlbl and elsewhere. it features his typical excess of influences- semi-psychedelic guitars, bedroom soul hooks, splurting dancehall reggae basslines- anchored down by solid songwriting and lyrics. it s a weirdly great combination that made us think this guy might be on to something. my my racecar is harder to pin down, but no less intriguing with a chopped up guitar lead, mouth pop rhythm section and zipping bass. the drop the lime influence shines on these two tracks, lending heavy bass, sound effects and making everything crispy.
free mp3 download-coupon included.

kevin m. kennedy aka fbk is escaping. escaping from the everyday struggles of life in columbus, ohio, usa. one of his escape routes is his music and when you listen to his tracks you can feel why. his music is emotional to the core, no matter if its powerful and heavily funky techno such as >flying hybrids< or dark and sinister straight electro like >chosen path<. every single sound and rhythm is pure fbk and will cause a frenzy on the dancefloor. having released on shakes frictional label as fbk and on detroit based label xplor as the sleep engineer, kevin is not a newbie in the techno circus. diametric. is proud to release the first new record from the expert escapist since 1997. why he remained below the radar for so many years is a mystery. fbk will have further upcoming releases on frictional soon. no digital distribution. limited to 320 handnumbered copies. save the vinyl.

unmixed triple vinyl release of the stress records retrospective, celebrating a decade of this fine label.

we at m=minimal are proud to have >conrad schnitzlers – zug< as first release. schnitzlers zug is one of the most important and first electronic minimalist works that were published in the 70s. almost simultaneously with the kraftwerks groundbreaking >autobahn< zug appeared on the legendary >the red cassette<. the wire magazine wrote about zug: kraftwerk might have used similar methods to create rhythm<!

for remote areas 28th release we welcome back production duo makcim & managemend. moscow born makcim has been djing since 1999 and is known for producing and playing deep, rhythmic, sexy, music. his music partner in crime - managemend (aka roel van otterdijk) is always on the hunt for brilliant loops of chunky, deep, soulful, minimalistic sounds but firmly believes that humans -not computers- give music the magic touch. they are back again with two quality tunes for the dancefloor. fur cage presents the deeper, funkier side of techhouse life with its rich, dark chocolate vocal snippets melted across a belching bass. fraggle stick car û high hats peak on top of warm percussive expressions to create a rolling dance rhythm packed with warped sounds and distorted snippets

wicked second tribute on robsoul recordings with gemini!

over its brooding, swelling chord rattles, what sounds like a flock of hihats each pushing every possible combination of rhythm to occupy the high frequencies of your hearing range.

in 2009 a series of five anonymously produced ink stamped vinyl recorded releases appeared in the global techno scene under the mysterious guise traversable wormhole. the series released exclusively on vinyl. the sound of traversable wormhole is a unique signature of sci-fi laden techno music with gaps of time, space & bass in between sound & rhythm.

munich funk & boogie superhero florian keller delivers part 3 of his >party-keller< series with more funky gems & nuggets for all the disco-heads out there!

back in stock!
westpark unit (aka djs herb lf & ingo saenger) are back with two brandnew summer jams. >loversclub< rides a reggae vibe similar to the current rhythm & sound remixes, while >stoned love< should appeal to all charles webster fans. also includes a dope remix by french top notch producer patchworks (still music, q-tape à)!

quantecs sven schienhammer shows no sign of letting the quality levels drop with his latest releases on echocord and statik entertainment. his first release for phonobox records brings 4 tracks of deeper dub house and techno.>circles (re-edit)< contains the classic quantec elements, foggy atmosphere and slow-mo techno, reminiscent of the most smacked out echospace/deepchord releases. >ramified< revolve around maurizio-dipped basslines with spiraling dub chords.>force vive< and >swayings< are the closest youll come to a house rhythm.

support by: andy cato /groove armada, marcus worgull,jimpster,shur-i- kan, thomas schumacher, john acquaviva, luke solomon,chris duckenfield and many more… germany vs. finland on pooledmusic. ian pooley welcomes moodmusic supremo, sasse, into his studio for a tasty collaboration. skippy beats and a big, bad, boogie bassline provide the rhythm track for the main mix of -to my room-, an evolving and at times, cosmic, deep house cut, with a clipped vocal sample to drive the stabby melody and freestyle keys. the dub mix ploughs deeper and more emotive, with its tugging strings and reverberating stabs. perfect tackle for those dark and sweaty late nite session

you probably best know lopazz for the quality, avant-garde club music like >i need ya< & >share my rhythm< hes produced for labels like get physical, cocoon rec. and londons legendary output recordings. lopazz is now back with a fantastic collaboration of the 80s sensation imagination enabled & co-produced by mexican artist beto >betoko< cohen.lopazz & beto met each other for the first time at azurara festival portugal in 2009, beto asked lopazz the same night, on the way to the festival if he wanted to work on the original imagination files with him, as his cousin eliot cohen, one of the worlds leading musicpublishers owns the rights on many international hitrecords. they started working on the files recorded on a huge analog ssl-console and the original 24-track tapes from 1982 at cohens red bus studios in london and it was pure magic! their first track, a remix of imaginations >new dimension< is the a-side on the gpm131. its been the first collaboration of the two producers and its a killertrack requested by many labels. lopazz is currently working on new film-scores for international tv and the next dj t. album. beto cohen is working on his next album and the follow-up with lopazz & imagination.s physical commissioned a subsequent remix 12 inch, featuring epic, forward-thinking versions from now firmly established chilean superstars luciano and ricardo vilallobos

supported by: jade , alex flatner, martin eyerer, monoroom , jackspot, fog, butch , mihalis safras, sasch bbc, felix neuman , nick warren , george morel , dualton , florian meindl, patrick zigon , emerson and many moore. after the great success of njam njam beats and runaway we proudly present the 3rd ep of helmut dubnitzky on our imprint . well known for his releases and remixes on labels like 8bit, microfon, glückskind, session deluxe, kiddaz fm or cecille, in 2009 suttgart based artist helmut dubnitzky launched prosperous his own label brise records. but continues with yellow tail ......so here it is :awesome new ep from helmut, his sound is a perfect balance between groove and rhythm , deep bass and drifty loops. with play & sing, helmut, a great artist and friend as well, profes one time more his talent for creating the perfect groove.

after a string of fresh remixes, including a great one for the homewreckers here on circus, dave aju offers this two-track side project treat while we await his next album. picking up where he and the invisible art trio left off, and adding another member, we are proud to present thèse unique cuts by mr. aju and his new sol percussion ensemble.using a single percussion instrument for each track, aju and the ensemble bring a raw acoustic and upbeat live jam session vibe to the proceedings on “vibra” the scene shifts to day, as an unabashedly sunny feeling builds up into a sort of loose latin jazz/house interpretation of bob james’ “spunky, filled with refreshingly fun instrumentation and vocal accompaniments- it’s that vibe! . “flexa” starts off with a strong rhythm base, then takes off into the night as warm bass tones and vocal scat chants alternate over the course of this future-meets-primitive hypnotic groover. both tracks reintroduce some playful sonic alternatives to today’s more discerning dance floors, and with the diverse background of aju and his fellow sf bay area ensemble members, there’s plenty of soul and sol, just in time for summer.

one year after their german top 5 album >lasso< 2raumwohnung is releasing the >lasso< remix allbum as two 12ô maxis on vinyl. part one incl paul kalkbrenner remix ((#1 groove poll, remix of the year), blake baxter, abe duque and 3phase

on this 12 inch k’alexi is dropping the poetic smooth voice over the remixes of “you are” ov takes it into the jazzy feel with sublime bass and chord structure as we are used to from him. fluffy sounds and smooth backround vocal stabs that makes you want to replay it after it’s finished. maurice joshua is bumping you out your seat with his energetic samba house flavor mix of “you are . this track is right in the middle and can be played in a techno room as well. norman chung is discovered by k’ alexi and provides a supersolid mix-edit of k’s original. words keys and rhythm are dominating the track. flawless production make this a great contribution to this ep. k’ alexis dub mix is uptempo tech-soul-house and will be easily picked up by the techno dj as it is a great tool. echoing “you are’s” floating around and drives you into a haunting synth soundscape.

just who are the >agents of time< in the title of mathew jonsons debut solo album? is it a reference to futurism, or to the here and now? is it us, are we them?
whatever the case, its a suitably open-ended name for a record that presents a side of mathew jonson you have never heard before.

support by paco osuna, james blone, pablo rez & citizen kain
the original cut is an amazing deep minimal track produced by daniele petronelli, the official italian remixer of tocadisco, dr kucho, vandalism, christian fisher, spencer & hill and laidback luke, the track contain the effect of the facebooks chat plus a original female voice, is a bomb for minimal dancefloor. in the same side we find the mark ramsey remix with a perfect classic tech-house flavour with dynamic percussions, solid synthetic sounds and some voice cuts that are normally used this master of production. the first cut of the b side is mario miranda remix. this cut will rock all the dance floors around the globe with its powerful tech house sounds and rhythm. the last cut but not for that less important is the profesional remix of andrea mattioli & andrea di rocco, a perfect mix of sounds that will increase the cache of your sets with the professional sound of this two of best italian artists.

top rate new double a –side from berlin based artist daniele papini .his new ep is the result of good quality forward thinking music. rhythm is the main element and the groving bassline stays ahaed of any other element,2 tracks strictly for the floors , a treat for those tougher moments and weapon for every dancefloor

shahrokh dini aus karlsruhe ist einer der dienstältesten house-djs in deutschland. seine platten sind auf labels wie strictly rhythm, caus-n-effect und ministry of sound erschienen. sein letztjähriges album wurde in der internationalen dance-presse gefeiert. >compost black label 65< enthält drei neue house-tracks des langjährigen Âme-kumpels

classic , limited stock !!

2nd release for retrofit brings 4 deep collaboration-cuts by matthew burton, kate rathod and jay shepheard.

double standard second vinyl only delivery is the debut release from one half of no regular play, greg paulus, with a sumptuous selection of wholesome music. quickly building a reputation for well-made, somewhat obscure but always rewarding music, double standard introduces another member of the family in greg paulus. the five tracks on this vinyl only release are blended with a warm and natural touch, with gregs own vocals and live trumpet on each. aimed away from the dancefloor, this is music for relaxing, contemplating and inspiring. greg introduces his debut solo release with the rhythm and blues feel of title track >whats mine is yours<, before drifting through to the undulating tones of >part of me<, compete with a breakdown that cracks into dark rave synths before returning to its original blissful state.

bringing the virtuosity into contemporary dancemusic, two protagonists found themselves as being the new dreamteam of the scene: thomas melchior and bruno pronsato. and it works perfectly- melchior, the perfectionist who always sets new standards regarding minimal house music and pronsato, the scientist who discovers the unheard and the unbelievable. both living in berlin, melchior & pronsato connected their world of sound and built one of the loveliest records in the whole universe of reduced deepness. on >puerto rican girls< melchior & pronsato play the most wonderful rhodes-line ever created connected with a never-to-stop-rhythm that could last for ages. it features the voice of ninca leece, who just released a super sweet record on bruno pronsatos imprint thesongsays. pure love! on the b-side >we make it right< brings together what belongs together- a fluffy bassline with that kind groove which makes the sun shining brighter.

red music head honcho delivers another eclectic disco track in the form of call me tonight, vol 2 with remixes from greg wilson and the revenge.

shadow sync are back with two new bomb tracks with a fresh techno touch for their fifth release on krd. the imploded beats of theia hit the dance-floor like a meteor shower, accents in reverse weave the rhythm supported by background reverberations. a grooving tr-909 complete all. jitter is a tribal repetitive trip that arises from a genetically modified marimba (courtesy of our beloved 8-bit mirage). reversed hi-hats, hypnotizing delays, bit-reduced accents infect the main synth line making it sick: disorientation guaranteed!

roman rauchs debut ep on viennas up and coming label tjumy records, already played and supported by dirt crew, m.path.iq, mikeburns, muallem, pat heart, peter kruder, chez damier, raoul belmans, reade truth, till von sein, michael rütten, simbad, matt flores, session victim, lefto, catz n dogs, johannes lehner and myny more!

back again we have the mediterranean flavor of the friends affkt and alberto sola. always experimenting with different ingredients like the cooker ferran adria, the guys who laid the first stone of the legendary label barraca, now present a hybrid of pop and house which will leave no one indifferent. ‘pobla loves you’ was born with the tuba of alberto cuartero, orchestra director of hoya gonzalo in albacete. marc and alberto (affkt and sola) wanted to have a typical instrument of a band and merged it with the electronic dance scene, always being faithful to his maxim of making music to dance as well as to listen. if we surround valencia, road to pobla de farnals, we passed through la canada. there are los updates, who upon hearing the organic rhythm of pobla and the work with the wind instruments, set to work with the voices. perfectly adapted to the capital of the turia river, jorge and loreto propose a valencian poem that their children have learned at school. the moon of valencia then join our dinner for four. finally, we add to our paella a bit of percussion and keyboards made in affkt, to get a main course and obtain a typical valencian plate but by adding a little chilean salt becomes international. more oriented to the dance floor, there are three rather different remixes. new union between spain and chile, with danny fiddo and felipe venegas. this couple present an elegant and deep remix with drums and vocals perfectly adapted to the current sound. moreover, the french man darlyn vlys re-interpreted >pobla loves you< with a lot of groove and percussion added. finally, affkt gives his funker version of events to complete a job that will come out by the german label international freakshow

here we have a double a-side 12-inch, with an intriguing new development of the secondo sound. still banging, still aimed at the club but with a sense of maturity and laid-backness, that the previous secondo material for dreck records might not have been centred around. the whole outlook has become more house orientated and we are very excited about this new mixture of the secondo splice-funk with the steadiness of early 90s house generating its own idiosyncratic sound. on the a-side, i think im gonna likeestablishes the housey mood of the 12straight off. a brief vocal sample is dotted over a relaxed rhythm until a break mid-track introduces the second half to its full extent and bloom. ædoktor panglosson the b-side continues with the mid-tempo flavour set out by the aside and is defined by a steady build up towards a disco sample beautifully placed towards the end of the track, where a heavy bass line cuts short the euphoria of disco strings. the sampling and references in both tracks have been pushed to the background and mentioning any of them would not do this exciting new material any justice. its all fresh!

worship recordings with another solid ep release, this time featuring cuts from chris udoh and gary beck. udoh is up first with >hear da muzik<, a driving house gem with a definite dubby flavor, as delays are left to run over solid drum patterns, strong chords, and a rumbling bassline. on the reverse, gary beck keeps the dubby house theme rolling with >stick to the reggae<, which has more of a skank to its rhythm, as dubby delays are again left to exploit stellar percussion, stabbing horns, and a wandering bassline.

trinity all-stars, aka hipp-e and solomonic sound (rob paine & zack eberz) with this cracking newie on worship. as with a bunch of the recent worship releases, >dem a come< is a dubby deep house number, opening with skipping beats and spacey effects before a wicked sub bass comes into play alongside stabbing synths for a sublime basic channel-esque groove. on the flip, the theme continues with >wind up your bass<, again leading in with hi-hats before a ragga rhythm establishes itself, joined swiftly by another superb dubbed out bassline and echoy beats on a track that puts even maurizio to shame! if you like your dubby gear, this release is essential!

the release, has two original songs and two additional remixes. plastidecor is orientated to the dance floor. tech house of quality with a groove ascending that make enjoy in the dance floor! the remix of hermanez is totally oriented to the dance floor,, has a strong bass and a base with lots of rhythm. the remix by mihai popoviciu has the same formula, rythm ascending, with a very strong bass for the dance floor. fraggle rythm, has a base deep house very percussive, melodies accompanied by a elegant bass. dance hall of the ewok, is a tech house very personal, with percussive sounds, voices, and bass groove, accompained by a deep synth

bovie and rox have been blazing a trail at strictly rhythm with their own productions >stop playing with my mind< and >love me< as well as a superb remix of south st players classic >(who?) keeps changing your mind<. for this second bite of >love me we have handed the precious parts to atfc, who continues a rich vein of form with a clubbed up soultek vocal mix and a tough, trademark lektrotek dub.

wow, this shit is hot!! original released on strictly rhythm us, rocks our floors since years…. two sided but we have only one word : monster , the mole people also known as armand van helden 2019 repress!

guillaume coutu dumont has been unstoppable over the past three years. since releasing his debut album, face a l est, on montreals musique risquÚe label in 2007, the montreal-born berliner has released a steady stream of eps, remixes and compilation tracks for circus company, musique risquee, oslo, cocoon and many more. he has also kept up a nonstop touring schedule, wowing crowds the world over with a dynamic live show that never sounds the same twice. throughout, he has developed one of the most distinctive styles in contemporary house music-a deep, powerful and original fusion of afro-latin percussion, instrumental melodies, soulful vocals, and intricate rhythm programming. now, with his new album breaking the fourth wall, he takes another big step forward.

excellent brasil calimba influences rhythm structures

the french label pilbus records has decided to strike hard with this new ep, offering us great tracks by nathan hell, who took part of the label adventure a few months ago. >heloise< is a really important track for nathan who expressed his feelings to produce a heavy but groovy bassline gimmick around which the rhythm revolves.

italian audio/visual artist federico leocata, born in 1987, releases his first ep on weme in the weme313 category. inspired and sponsored by heinrich mueller (arpanet, der zyklus, dopplereffekt) he creates an uncluttered and cold electro, totally honest and whole-hearted/flawless. each song has a well defined role in the structure, leaning on a square rhythm, opppresive bass, frightening tunes, giving a futuristic and fantastic music as a result. this first record suggests a prolific future for this young artist.

this scottish producer puts trapez ltd again on the techno map. after a couple of more housy releases on trapez ltd this release is a tougher one.&#8232,,circular star works techno a bit in a post detroit fashion... the sounds smells of industrial sites, burned rubber and has that certain sexy machine rhythm to it which we always felt was the jeff mills factor. they have little glamour about them, they are true and a direct force.

2010 album by punk-rockabilly combo kings of nuthin, featuring 2 vinyl only live tracks as bonus!

for this ninth episode of the light, non other than hardgroove master ben sims, delivering his superb funk, this time with some detroit elements.labels own a.paul contributes with 2 tracks, metatrons cube a progressive rhythm track great in the mix, and >vontade< a melodic strong builder. a.paul also prepared special surprise that are 7 locked groove loops, that will for sure spice up your mix in the 3rd deck.